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K科尔维茨 八幅原始蚀刻图
材质 :
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Gerhard Marcks-Jona, Suite, 8 Holzschnitte. 1982.
呃,先生,事情是。。。-乔纳,组曲,八幅木刻。1982
图片文件尺寸 : 5409 x 3873px
:
Eight portraits
acrylic on paper
each 57.5 x 76.5cm (22 5/8 x 30 1/8in). (8)
unframed
无 题 八幅肖像,每幅57.5 x 76.5厘米,无边框
材质 :
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Frans Masereel-Acht Original-Holzschnitte zu Hemingway Der alte Mann und das Meer, 1962.
法语Masereel-海明威《老人与海》的八幅原创木刻,196年。
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格奥尔格·巴利茨 根据1959年的图纸绘制的八幅蚀刻版画,Heiner Friedrich,慕尼黑,1973年
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Continental School:Views of everyday life on Minorca, a set of eight
each inscribed with title in French (lower centre)
watercolour and bodycolour
each 16.5 x 11.5cm (6 1/2 x 4 1/2in). (8)
大陆学校 米诺卡岛上的日常生活视图,一套八幅,每幅16.5 x 11.5厘米。
图片文件尺寸 : 5265 x 5544px
MICHAUX、Henri和ZAO Wou Ki 亨利·米肖(Henri Michaux)阅读了赵武基(Zao Wou Ki)的八幅石版画。巴黎,
下载MICHAUX、Henri和ZAO Wou Ki 亨利·米肖(Henri Michaux)阅读了赵武基(Zao Wou Ki)的八幅石版画。巴黎,大图
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AFTER JEONG HONGRAE (1720-?):Eight paintings mounted as a folding screen
Joseon Dynasty (1382-1897) 18th/19th century
Painted in ink and colors on silk, with silk surrounds and fabric backing, depicting birds and flowers and with poetic inscriptions, each painting bearing date corresponding to autumn 1766, and inscribed Manhyang Jeong Hongrae and bearing seal Hongrae and two other seals
13 5/8 x 9 3/8in (34.6 x 23.8cm), each image; 35 1/8in (89.2cm), overall height
源自郑洪雷(1720年-?) 八幅作为折叠屏风装裱的画作朝鲜王朝18/19世纪
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Cecil Edwin Frans Skotnes:Eight woodcuts from the series Baudelaire\'s Voyage to the Cape (i-viii), 1975:
(i) 1. Tropical Island
(ii) 2. To A Creole
(iii) 3. Black Venus
(iv) 4. The Albatross
(v) 5. The Flying Dutchman
(vi) 8. Groot Constantia
(vii) 9. The Prisoner
(viii) 10. Sailing Home
all signed, titled, dated, imprinted, and numbered \'54/75\' (lower margin)
woodcut
each image: 38 x 50cm (14 15/16 x 19 11/16in)
each sheet: 48 x 64cm (18 7/8 x 25 3/16in).
(each individually framed)
(8)
塞西尔·埃德温·弗朗斯·斯科特内斯 1975年波德莱尔的《海角之旅》系列中的八幅木刻:
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SUZUKI HARUNOBU (1725-1770) AND KATSUKAWA SHUNCHO (ACTIVE CIRCA 1780-1801):Two chuban yoko-e prints and eight oban yoko-e shunga prints
Edo period (1615-1868), 18th century
Two chuban yoko-e prints; the first depicting a young man\'s striped kimono draped on a rack, and a noren (cloth curtain) with kiri (paulownia), sealed Koryu; the second entitled Woman under Kotatsu and Masked Man, from the series Enshoku koi no urakata (The Spell of Amorous Love); eight oban yoko-e shunga prints; the first two prints from the series Koshoku zue juniko (Erotic Illustrations for the 12 Months); the other six prints from the series Imayo irokumi no ito (Threads of Modern Encounters) in five designs, each unsigned (10)
10 1/16 x 15 3/8in (25.2 x 39.2cm), the largest
铃木春武(1725-1770)和长川顺町(活跃于1780-1801年) 江户时期,18世纪,两幅竹本横绘和八幅奥本横绘
下载铃木春武(1725-1770)和长川顺町(活跃于1780-1801年) 江户时期,18世纪,两幅竹本横绘和八幅奥本横绘大图
图片文件尺寸 : 5024 x 4454px
KITAGAWA UTAMARO (1754-1806), TORII KIYONAGA (1752-1815), KATSUKAWA SHUNKO (1743-1812), AND OTHERS:Eight woodblock prints
Edo period (1615-1868), 19th century
Seven oban tate-e prints comprising one sheet of a polyptych depicting three courtesans and a gentleman on a veranda, signed Utamaro hitsu; one sheet of a polyptych depicting three beauties looking out into a wintery garden, signed Kiyonaga ga; one sheet of a polyptych depicting a group of women in a pleasure house, signed Shunko ga; a beauty from the series Shokoku meisho zusho (Famous Views of the Provinces Illustrated), signed Kuniyoshi ga; a standing beauty from the series Bijin awase, signed Kochoro Kunisada ga; Suruga Miho (Miho in Suruga Province), from the series Honcho Fukei Bijin Kurabe (Beauties Compared with Scenic Spots of Our Country), signed Kochoro Kunisada ga, published by Sanoya Kihei; a bird\'s-eye view of a large villa with banners flying in celebration of Boys\' Day, signed Shun\'ei ga; an oban yoko-e depicting two samurai (8)
15 3/8 x 10 1/8in (39 x 25.7cm), the largest
北川郁太郎(1754-1806)、菊川拓里(1752-1815)、长川顺子(1743-1812)等 八幅木版印刷品19世纪
下载北川郁太郎(1754-1806)、菊川拓里(1752-1815)、长川顺子(1743-1812)等 八幅木版印刷品19世纪大图